
Tuesday, January 29, 2008
Boomerang Exhibit Brought Together Artists of Different Feathers

Monday, January 28, 2008
Ask Emma
A: Not to get all paranoid here, but the guy's behavior surely makes one wonder. Have you ever seen his ID? Chances are, his name is not what you call him. Or worse, he might use different names for different purposes. A guy who has no friends and no home to invite you to might be married with children, or a fugitive, or both. He might be living with his mother or be an ax murderer. No, scratch that. Ax murderers don't usually enjoy their girlfriends' friends. He might be homeless, unstable, or just a hermit with no social ties and a messy apartment. Come to think of it, I suggest you decline his invitation should he ask you to come to his place. Learn more about him before you go there.
Friday, January 25, 2008
Jake's Barbecue Sauce & Seasonings Inspired by Family Recipes

Photography by Ari Salomon & Lenny Gonzalez

Tuesday, January 22, 2008
Danny Hoch's Hip Hop Theatre "Taking Over" at Berkeley Rep

Wednesday, January 16, 2008
Ask Emma
A: Share a half-bottle of Veuve Clicquot in bed and see what happens… No, scratch that. Dress nicely, and I mean VERY nicely, make an entrance into your neighborhood Safeway, buy half-bottle of Veuve Clicquot (yes, they carry), head straight to a local fast food joint, order “for here” and watch the jaw-dropping spectacle all around you, while feeling like Queen of England watched by commoners. You’ll kill a flock of birds with one stone: you’ll be the center of everyone’s attention (and I hope you know how to feel great about it), you’ll behave as silly as you want ('cause beautiful people can), you’ll have a unique experience, and you’ll create personal memories. On the top of all that, you’ll have a great story to share with your envious friends now, and with your bratty grandchildren thereafter… Pouring Veuve Clicquot in paper cups under the table is an adventure on its own. If that last thing does not work out in Burger King, take it home; share it in bed, and… am I repeating my own advice? You might also indulge in fresh oysters, deviled eggs, or dark chocolate truffles, your budget permitting—all known aphrodisiacs. But no matter what you do, don’t add cream to lemon tea.
Tuesday, January 15, 2008
‘Farewell my Concubine’ U.S. Tour Kicks Off at SF Opera

Thursday, January 10, 2008
Gary Bukovnik’s La Vie en Rose
There is a line in Russian poetry (melancholic by default) about the doomed life of those refined souls who are gifted with a keen understanding of all things beautiful. (There is another one, though, stating that “beautiful” is not beauty, if you catch the poet’s drift). Anyway, those rare souls are referred to as the ones approaching extinction, with no hope to survive the brutalities of modern times (and those modern times are always the same—brutal). In the upcoming archeological era, when the trace of us will be erased forever, and those who knew about us will be far and few between, I wish Gary Bukovnik’s watercolors would be somehow excavated and preserved for a future kindred soul that must appear even in a hopeless desert of futuristic grim. A San Francisco resident of some 30 years, and a watercolor artist of exquisite mastery, Bukovnik chose his primary subject matter as cut flowers. Still with their strings attached, they demurely pose in their glass vases, or perform acrobatic numbers all over the mostly pure white backdrop, or fly away from their confinement, or just break down their pots and run free. Extremely realistic, yet dreamy and glorified, those endless bouquets and heaps of colorful blooms convey a feeling of life immersed in sheer beauty, awashed in brilliant droplets of morning dew, only sometimes interrupted by a playful painted animal who escaped from its porcelain vase home (see Tigers On The Run). Bukovnik, who shares his (can’t escape this word) beautifully decorated studio with his two gray tabbies--Chloe and Felix—obviously discovered the sacred connection between cats and flowers, known to any crazy cat lady in the world. In his everyday, the artist is a neat man, always dressed in colors, unlike most San Francisco dwellers, mainly clad in black. He is also a very friendly one, always pleasant, always a joy to communicate with, and a gourmet cook to boot. Am I feeling lucky to know this person, who dared to choose the art of beauty in this age of grime, and to stick to his ideals? You bet I am. His solo shows span the globe, and plenty of information is available at the artist’s website: www.garybukovnik.com or in Hudson Hills Press book, “Gary Bukovnik Watercolors.”Wednesday, January 9, 2008
The Moiseyev Dance Company Dazzles American Audiences on Its Celebratory Tour

The Moiseyev Dance Company returns to North America for a tour commemorating the life and work of Igor Moiseyev, who was a principal dancer and choreographer for the Bolshoi Ballet before establishing his own troupe in 1937. Born in Kiev, Ukraine, in 1906, this “choreographer, genius, and innovator” passed away at the age of 101 last November. The breathtaking Moiseyev Dance Company, arguably the greatest of all folk dance groups, will perform in Berkeley for the 50th Anniversary of their first United States tour, and the 70th Anniversary of the Company. The 200-member company is presently under the direction ofYelena Shcherbakova and “lives up to its hype as a national treasure, potently demonstrating the Russian genius for dance.” For this Cal Performances presentation, the company will show off a collection of 13 dances bearing testimony to the eclecticism of its repertoire, and demonstrating the talents for which the Moiseyev Dance Company has been known and admired throughout the years. Included in the program are “Polovetsian Dances,” Moiseyev’s most famous ballet piece from the Alexander Borodin’s opera “Prince Igor.” The Moiseyev Dance Company has come to be the defining standard of the folk dance tradition. The company’s repertoire is ever expanding, encompassing folk traditions from areas as varied as Russia, China, Argentina, and even American jazz and rock-and-roll. Tickets for Moiseyev Dance Company on Friday-Sunday, February 8-10 at Zellerbach Hall are priced at $24, $36 and $48 and are available through the Cal Performances Ticket Office at Zellerbach Hall; at (510)642-9988 to charge by phone; at www.calperformances.org; and at the door. For more information, visit the Cal Performances web site at www.calperformances.org.
Monday, January 7, 2008
California Academy of Sciences Started its Move Today
HANG Gallery Strives for Bay Area Exclusivity
“Most of our artists are from the Bay Area,” said Heidi Hansen, a HANG art consultant. “Some are from as far as Big Sur and Tahoe. We try to have exclusivity in the Bay Area.”
HANG, which turns 10 y.o. this June, sells only original fine art, and nothing that can be reproduced, like photography. The gallery also rents out artwork to businesses and homes for a try-out period, at 10% of the selling price.
“We openly display our prices,” said Hansen. “Everything is upfront, and there is no negotiation. What you see is what you get for the price printed on a card next to an artwork. Most are very affordably priced.”
Besides in-house sales, HANG operates a user-friendly website, where more exciting local artists are represented, whose work can be bought or rented online. Imaginary Objects by Jessica Martin, Jeff Hantman’s collages and Hidden Knowledge series by Judy Spiegel, resembling illustrations to Jorge Luis Borges’s mystical prose can all be viewed and ordered here.
“We go to as many open studios as we can,” said Hansen describing HANG’s modus operandi. “We always accept submissions. Our staff members review every submitted work, and we invite guest artists for trial exhibitions to see how their work would be accepted.”
Currently, the gallery hosts some 65 living artists of all genres, including abstract, figurative, and landscape--all contemporary, all working in the area. “All you need to know is what you like,” proclaims HANG, which is open every day, and changes its display often.
HANG ART is located at 556 Sutter Street in SF. For more information, call 415-434-4264 or visit http://www.hangart.com/
Photo by Emma Krasov: Heidi Hansen in the HANG ART gallery.
Wednesday, January 2, 2008
Brazilian Carnival Dancers and Fireworks at Chaya on New Year's Eve
My fin-de-year confession: I can do without necessities, but I can't without luxuries. Just give me shiny. Chaya Brasserie on Embarcadero in SF could not be beat for this New Year's overnighter with their Brazilian carnival dancers entertainment and firework views from every seat in the house. Add to that an elaborate menu and some absinthe-soaked-sugar-cube cocktail, and that's what I call celebrating the biggest night of the year in style. Even amuse buche came in a threesome--blue fin tuna tartare, hamachi carpaccio roll, and crab temari sushi, followed by a trio of appetizers--Wagyu beef and lobster roll, scallop with lobster coulis, and blue prawn cocktail. After that, a fish course of halibut with Dungeness crab and artichoke gratin seemed like it could benefit from less work on its porcini champagne fondue, which beautifully covered the white fish as a thin layer of brown velvet. Every porcini lover will attest that this mushroom must be treated with respect, and never reduced to a paste for whatever reason. A meat course of filet mignon with foie gras mousse (very nice touch), creamed spinach, and always appropriate potato puree, was flawless if not fully enjoyed by anyone of normal shape and weight after all those delicacies that preceded it. Need I say that I made a New Year's resolution right then and there to start a vegetarian diet for the rest of my life? Yeah, right.
Chaya Brasserie is located at 132 The Embarcadero, San Francisco. 415-777-8688.